Rib Basket, Shoulder Cloak (Patrons)
Framed by brief standing explorations of breathing and walking, this mostly back-lying lesson is designed to improve differentiation of the ribs and shoulders, and to improve their integration with functional movements of the arms, legs, hips, spine, and head. Uses a fascinating constraint of precisely relating the scapulas to the plane of the floor.
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This is a great lesson. I learned more about being upright than I have from any other lesson. Jean Kirk
For me, sensing the weight of the elbows was really important in keeping the shoulder blade on the floor. Also, when lifting the left hip, the left lumbar region really wanted to tighten and protect. I wasn’t often successful in keeping it soft even though that felt much more pleasant.
I noticed I was using my entire rib cage to breath in the upright check-in at the end – a sense of three-dimensional expansion being possible. I plan to return to this and see if I can progress in keeping the shoulder blades truly in the up/down plane. Great session – thank you.
This is my second time doing this lesson. I really like it as it frees my chest and upper back into a almost fluid vessel for breath and movement. Also, it deepens my interest in the clavicula-scapula region. Having had many shoulder injuries, it is an area of both interest and avoidance for me.
What I see in doing this lesson again, is that there are really a lot of ways of moving the shoulder blades throughout this lesson itself. There appear more and more options of how they stay on the ground and how they move according to the suggestions, and where the initiative comes from. It quite surprised me how more diverse my second experience was than the first time. Still I see that I uncomfortably strain the sides of my torso, serratus anterior. It seems that they go from 30% contraction to 100% and may have to learn the subtle gradualness in between.
Those are lovely details you caught the second time through. Thanks for describing for other users how the process of re-exploring lessons tends to go. It is always a new experience!
I believe your 30-100% observation will indeed be very helpful to explore. Very small, slow, light movements, where you sense that you don’t have to go to 100%, will help you find more sensitivity and control.
There is something so beautiful and internally aesthetically pleasing about finding the space between the ribs and the shoulder blades. Every time I do this lesson I learn to feel that space more. Today I truly felt that the ribs and scapulas were in a dance together each responding in its unique way rather like the violins and cellos in an orchestra – in harmony but each with their own line of music. I finally have a shoulder cloak!
Thanks Nick – I love this lesson